Music of Japan

Sakura -Japanese Folk Music

Sunday, December 16, 2012

Tokyo is Top


Pico Iyer has known Tokyo - Guardian readers' favourite non-European city - for decades but is still captivated by its curiosities and contradictions

Spring cherry blossom in Ueno Park, Tokyo.
Spring cherry blossom in Ueno Park, Tokyo. Photograph: Photo Image/ABEL
It makes perfect sense that Tokyo is Guardian readers' favourite overseas city. Now that Shanghai looks in parts like Beverly Hills and Delhi is lighting up with Thai restaurants, there are few cities on the planet that are less western than Tokyo – even if it's not necessarily a part of any east that you might recognise. The abiding allure of Japan's huge network of tiny details is that, like something in a Salman Rushdie novel, it seems to blur all notions of high and low, east and west, old and new into one state-of-the-art global amusement park that is wildly fresh and novel in its best incarnations, and at least zany in its worst.
I've lived at a safe distance from Japan's capital for 23 years now, in Kyoto and Nara, three or four hours away by train and several centuries away in terms of their antique pasts. But if I were going to Tokyo tomorrow, I would, on arrival, hold off on the "maid cafes" in the nerds' electronic hive of Akihabara, on the Hysteric Glamour fashions around Harajuku, even on the gleaming shops of the Ginza that have long made Tokyo seem an early visitor from the 23rd century. Instead I'd begin by looking for the old.
Ginza Tokyo JapanTokyo's Ginza district. Photograph: Alamy
The evergreen riddle of Japan, after all, is that all its revolving-door fashions, fascination with the west and hunger for the new never seem to make it any less Japanese at the core; the place is like a froth of shifting surfaces and flashing images projected on an old, strangely shaped piece of wood that never moves. My Japanese wife is mad for Marilyn Manson and Metallica and used to gun her Honda Hurricane around the winding streets of Kyoto. But every day, before she heads out in her leather jacket, she places fresh water in a bowl around the small shrine she's set up, and an apple for the gods; she cleans every item of clothing either of us have used the previous day; and then she puts on a CD of monks chanting and sits stock-still in her chair in meditation.
Much of Japan is like that still, and if you're arriving in Tokyo soon – especially if you're coming from far away and are jet lagged – the first place I'd recommend you see is the Tsukiji fish market (tsukiji-market.or.jp) visiting ideally as close to 5am as possible. Nothing will convince you more quickly that you're not in Kansas (or Hampstead) any more, and the sushi you can try nearby will tell you you're not at Wagamama either.
From there I'd suggest heading to Ueno, a slightly down-at-heel area, built around a park, that still has a faintly rural feel and reminds you of what Tokyo used to be when its Meiji refashioners, in the late 19th century, took their cues from London and Paris. Wander through the Tokyo National Museum (tnm.go.jp/en), which has perhaps the best collection of classical Japanese art in the world.
At dusk, for this opening immersion, I would head towards Asakusa Kannon Temple, whose great front gate makes you feel as if you're entering a Hiroshige woodcut. One of the centres of Shitamachi, the old "Low City" of Edo (even by the end of the 18th century the city was the world's largest in terms of population), it still has echoes of the time when it sat at the heart of a bustling entertainment district, home to the country's first cinema and first music hall.
The power of Japan, for me, lies in everything you find here that you couldn't imagine seeing in another country, even – sometimes especially – when what you think you're enjoying is something foreign, deliciously lost in translation. Last month, McDonald's outlets across the nation were serving Tsukimi, or "Moon-Viewing" burgers – a moon-like fried egg between the buns – in honour of the harvest moon that has been ritually observed for millennia across east Asia.
On your second day, there's something to be said for going to Kamakura (city.kamakura.kanagawa.jp/english), the leafy, temple-filled mini-Kyoto that's only an hour away from Tokyo by train. Just ramble through its leafy lanes, walk into shrines that look deserted, breathe in the quiet of a place that was Japan's capital from 1185 to 1333 and has been a kind of resting place ever after.
It's part of the curiosity of contemporary Japan that it presents you with some of the most jangled and mishmashed, unattractive urban landscapes in the world and yet, in many places, every little shop and cafe you enter will be immaculate and exquisite, whether it plays only Beatles records or Mozart. The details are often perfect, even as the whole sounds like 15 languages shouted all at once. And to savour Japan, it makes most sense to seek out its privacies, its secret corners; until I came here, I never realised that the society famous for its conformist surfaces is – for that very reason, perhaps – a home to wild obsessives, who have collected every King Crimson bootleg in existence or will show you their collection of videos of ancient Hawaii Five-O episodes.
In these ways, it's best to browse Tokyo, to get lost, almost as if you were in some virtual reality; more than any city I know, the place is like a website, alight with odd links, hobbyists' addenda, animated figures and racing graphics. And once you've tasted a little of the old city, like striking a gong or a temple bell before a feast, you can fling yourself into the new. The Mori Art Museum (mori.art.museum/eng) on the 53rd floor of the Mori Tower in the Roppongi Hills complex, say, whose sleek passageways and views over the city and make it look like a high-definition TV screen writ large. There are dog rental stores around town, vending machines selling underwear and whisky, and three-star Michelin restaurants with only a single table and a few seats at the bar (Yukimura, 1-5-5.Azabu-Juban, Minato-ku, +81 3 5772 1610). At the New Otani hotel (newotani.co.jp/en/tokyo) you can enjoy a 400-year-old Japanese garden and a rooftop rose garden with 2,000 bushes, where fireflies flicker in the summer.
Roppongi bar, TokyoBar in Roppongi, Tokyo. Photograph: Alamy
The very best side of Tokyo comes out – though perhaps this is true of every place – when you can see the strange and the familiar all at once. Go out drinking in Roppongi on a Saturday night and you'll half-believe you're in LA, or at least Hong Kong, among the Romanian restaurants and Filipina hostess clubs; then, on Sunday morning, walk down Omotesando street, past all the note-perfect French cafes and high-end boutiques, with the Kings Road of Takeshita street just a short hop away.
On Sunday afternoons, on Jingu Bridge, at the end of Omotesando, "cosplay" (a mix of "costume" and "play") girls from the suburbs come out in their wild outfits, dressed as nurses or goths or dominatrices or Alice in Wonderland. Costumes, you will soon register, are as outlandish as uniforms are constant in Japan, if only because the same people who are dressed down for six days every week get their own back by dressing up on Sundays.
Right behind the bridge, wide pathways take you to the Meiji shrine (meijijingu.or.jp/english), where you are back in the thick, textured, slightly elusive place that has altered very little over centuries. Shrine maidens dressed all in white – traditionally they were virgins – are selling good luck charms for passing exams to the wild teenage girls in microskirts and fishnet stockings whose hairstyles seem to have been copied from Lady Gaga.
Everywhere in Japan there are things that are worth doing just because they can't be done in quite the same way anywhere else. Try to arrive at a fancy department store at 10 am, when it opens, to see the scores of perfectly coiffed employees lined up to call out a formal welcome. Try Isetan (isetan.co.jp) in Shinjuku; you can spend the next many hours lost in the capacious food halls in its basement. Look for the three-course "teishoku" set lunches, which will offer you the same food you'd spend £20 on at dinnertime for a third of the price. And never spurn a convenience store, because there is more in their small heaven and earth than is dreamed of in your philosophy.
The first time I came to Japan, as a sightseer 25 years ago, I made sure to take myself to Tokyo Disneyland (tokyodisneyresort.co.jp) so I could see the whole seamless, public and well-organised society in miniature; I could get a (cartoon version, but defiantly partisan) tour of Japanese history in one pavilion, eat melon sorbets in another and see on every side how Japan had taken something deeply American and made it entirely its own (and cleaner, quieter, more efficient). In time though, after I came to live here, I began to see how much of Japan can be enjoyed as a kind of theme park, where most people are dressed up to play a part, as polite, chirpy and eager to please as one of Walt Disney's Mouseketeers, and inhabiting what looks less like real life and more like a super-synthetic version of The Happiest Place on Earth.
There are 35 million people in Greater Tokyo – more than in all of Canada – and when you arrive at Tokyo station you may feel that they're all streaming past you at the same time. Two million souls do indeed pour through Shinjuku station every day. But what ultimately stays with many a visitor to the epicentre of Japan are the moments of stillness, of collectedness, of almost mysterious remoteness, where you see the changeless nerve centre from which all the wild changes arise.
Pico Iyer is the author of nine books, including The Lady and the Monk (IB Tauris), about his first year in Japan

Way to go

How to get there
The tour operator Inside Japan (0117 314 4620, insidejapantours.com), which also won a Guardian Travel Award this year, under the category "Best Small Tour Operator" can arrange a range of trips to Japan that also include a stay in Tokyo.
There is a seven-night "price cruncher" which costs from £600pp, and includes three nights staying in Tokyo's Old Town, plus time in the Hakone national park, and Kyoto, all accommodation, local transport but not international flights.
Alternatively there is a "golden route" 13-night guided group tour from £1,600pp with longer in those destinations. The company also offers ski trips.
Further information
The Japan National Tourism Organisation (seejapan.co.uk). For more tips see Time Out's website timeout.jp, and japan-guide.com.

Tuesday, December 4, 2012

Zen


From: AEON Magazine:

 http://www.aeonmagazine.com/oceanic-feeling/tim-lott-zen-buddhism-alan-watts/

Off-beat Zen

How I found my way out of depression, thanks to the writings of the 
English priest who brought Buddhism to the West
Alan Watts: 'Half monk and half racecourse operator.' Illustration by Stephen Collins
Alan Watts: 'Half monk and half racecourse operator.' Illustration by Stephen Collins
Ever since I was a child, I have been acutely sensitive to the idea — in the way that other people seem to feel only after bereavement or some shocking unexpected event — that the human intellect is unable, finally, to make sense of the world: everything is contradiction and paradox, and no one really knows much for sure, however loudly they profess to the contrary.
It is an uncomfortable mindset, and as a result I have always felt the need to build a conceptual box in my mind big enough to fit the world into. Most people seem to have a talent for denying or ignoring life’s contradictions, as the demands of work and life take them over. Or they fall for an ideology, perhaps religious or political, that appears to render the world a comprehensible place.
I have never been able to support either strategy. A sense of encroaching mental chaos was always skulking at the edges of my life. Which is perhaps why I fell into an acute depression at the age of 27, and didn’t recover for several years.
The consequence of this was my first book, a memoir called The Scent of Dried Roses (1996). While I was researching it, I read the work of the psychologist Dorothy Rowe, a quiet, almost secret, follower of Buddhist philosophy. Secret, because Rowe knew what the term ‘Buddhist’ implied to the popular imagination (as it did to me) — magical thinking, Tibetan bell-ringing, and sticking gold flakes on statues of the Buddha.
Truth is not to be found by picking everything to pieces like a spoilt child
It was through Rowe’s writing that I first came across Alan Watts, and he sounded like an unlikely philosopher. His name evoked the image of a paper goods sales rep on a small regional industrial estate. But through Watts and his writing, I was exposed directly to the ideas of Zen Buddhism. I was suspicious at first, perceiving Zen Buddhism to be a religion rather than a philosophy. I wasn’t interested in the Four Noble Truths, or the Eightfold Path, and I certainly didn’t believe in karma or reincarnation.
All the same, I read a couple of Watts’s books. They made a significant impact on me. The Meaning of Happiness (1940) and The Wisdom of Insecurity (1951) are striking primers to his work, and they underlined what Rowe was already teaching me: that life had no intrinsic meaning, any more than a piece of music had an intrinsic ‘point’. Life was, in Zen parlance, yugen — a kind of elevated purposelessness.
Watts, like Rowe, showed me how we construct our own meanings about life. That nothing is a given and, since everything is uncertain, we must put together a world view that might fit roughly with the facts, but is never anything other than a guess — a working fiction. This, too, is a typical Zen understanding — that life cannot be described, only experienced. Trying to see all of life is like trying to explore a vast cave with a box of matches.
Impressed though I was, I more or less forgot about Watts after I finished his books, and pursued my career as a fiction writer. I was weary of introspection. Then, years later, a bad spell in my life propelled me back into a chasm. In 2004, three close friends died in sudden succession. One died in front of my eyes. Another was murdered. A third succumbed to cancer. My depression — and that original sense of meaninglessness — resurfaced. I turned to Watts again. This time, it was as if I was reading for dear life.
No time for received wisdom: a young Alan Watts (L) and friends reading haiku poems written for a contest. Photo by Nat Farbman/Time Life Pictures/Getty
Alan Watts had been prolific in his 58 years. He died in 1973, after producing not only 27 books but also scores of lectures, all of which were available online. They had intriguing titles such as ‘On Being Vague’, ‘Death’, ‘Nothingness’ and ‘Omnipotence’. I stopped writing novels and worked my way through every one of them instead.
I found a DVD of an animation of Watts by Trey Parker and Matt Stone (of South Park fame). I discovered that Van Morrison had written a song about him, and that Johnny Depp was a follower. But he remained largely unknown in Britain, even though he was English, albeit an expatriate.
Watts was born in 1915 in Chislehurst, Kent. His father had been a sales rep for the Michelin tyre company and his mother was a housewife whose father had been a missionary. In later life, Watts wrote of mystical visions he’d had after suffering fever as a child. During school holidays — while he was a scholar at King’s School in Cambridge — he went on trips with the Buddhism enthusiast Francis Croshaw, who first developed his interest in Eastern religion.
With penetrating eyes like Aleister Crowley’s, he described himself as a ‘spiritual entertainer’
By the age of 16, Watts was the secretary of the London Buddhist Lodge, which was run by the barrister Christmas Humphreys. But Watts spoiled his chances of a scholarship to Oxford because one examination essay was judged ‘presumptuous and capricious’. And, despite his obviously brilliant mind, Watts never achieved a British university degree. This, perhaps, is another of his qualities that chimes with my own spirit — I too left school with only two A-levels, and am, like Watts, an autodidact.
As a young man, Watts worked in a printing house and then a bank. During this time, he hooked up with the Serbian ‘rascal guru’ Dimitrije Mitrinović — a follower of the Armenian spiritual teacher GI Gurdjieff and the Russian esotericist PD Ouspensky — who became a major influence on his thinking.
At the age of 21, in 1936, he attended the World Congress of Faiths at the University of London. There, he heard the renowned Zen scholar DT Suzuki speak, and was introduced to him. Later that year, Watts published his first book The Spirit of Zen.
That same year, he met the American heiress Eleanor Everett, whose mother was involved with a traditional Zen Buddhist circle in New York. He married Eleanor in 1938 and they moved to America, where he trained as an Episcopal priest, before leaving the ministry in 1950, thus separating once and for all from his Christian roots. From then on he concentrated on the study and communication of Eastern philosophical ideas to Western audiences.
Ifelt powerfully attracted to Alan Watts. Not only to his ideas, but to him, personally. Watts was no dry, academic philosopher. With eyes hooded and penetrating like Aleister Crowley’s, he was a jester as well as a thinker, describing himself as a ‘spiritual entertainer’. Aldous Huxley described him as ‘a curious man. Half monk and half racecourse operator.’ Watts wholeheartedly agreed with Huxley’s characterisation. He carried a silver cane ‘for pure swank’, he hung out with Ken Kesey and Jack Kerouac (he is even parodied in On the Road as Arthur Whale). His English public school-educated voice was rich and deep, like a prophet’s, and his laugh juicy and contagious.
But it was his thinking that most excited me. He was, if not the earliest, then certainly the foremost translator of Eastern philosophical ideas to the West. In some ways, his interpretations were radical — for instance, he dismissed the core Zen idea of zazen(which meant spending hours seated in contemplative meditation) as unnecessary. ‘A cat sits until it is tired of sitting, then gets up, stretches, and walks away,’ was his forgiving interpretation of zazen. Slightly less forgiving was his comment on Western Zen enthusiasts, whom he mocked as ‘The uptight school … who seem to believe that Zen is essentially sitting on your ass for interminable hours.’ It was a great relief to read this for someone like me, who found the idea of excessive meditation as unhealthy as the idea of excessive masturbation.
Watts also rejected the conventional ideas of reincarnation and the popular understanding of karma as a system of rewards and punishments carried out, lifetime after lifetime. It was this radical approach that made his ideas so fresh — he had no time for received wisdom, even from those who claimed to know Zen inside out.
The idea of walking around with a metaphorical stick to whack yourself with is foreign to a Zen master
Many Zen ideas have become debased into ‘new age’ philosophy, basely transmuted into wishful thinking, quasi-religious mumbo jumbo and the narcissistic fantasies of the ‘me generation’. But before the beatniks and the hippies got hold of it, Zen philosophy, as described by Watts, was hard-edged, practical, logical and, in some ways, oddly English in tone, as it had deep strands of scepticism and humour. (You’ll never see Christian saints laughing. But most of the great sages of Zen have smiles on their faces, as does Buddha.)
Zen and Taoism are more akin to psychotherapy than to religion, as Watts explained in his book Psychotherapy East and West (1961). They are about finding a way to maintain a healthy personality in a culture that tends to tangle you up in a lot of unconscious logical binds. On the one hand, you are told to be ‘free’ and, on the other, that you should follow the demands of the community. Another example is the instruction that you must be spontaneous.
These kinds of snags, or double binds, according to Zen writings, produce inner tension, frustration, and neurosis — what Buddhism calls dukkha. Watts saw his job, via Zen philosophy, to teach you to think clearly, so that you could see through conventional thinking to a place where your mind could be at peace inside a culture that could have been designed to generate anxiety.
But, although he was an entertaining writer who presented his ideas with a brilliant clarity, Watts had a difficult job on his hands — mainly because Zen and Taoism are so fundamentally counter-intuitive to the Western mind. Western philosophers and laymen find Eastern thinkers frustrating because Buddhist sages don’t have the same emphasis on the power of language, reason and logic to transform the self or to ‘know’, in the way Westerners think of the word.
The riddles, or koans, that Zen thinkers speak in are intended to trip you up and make you realise how inadequate words — either spoken or inner dialogue — are in making sense. Zen emphasises intuition andmushin, that is, an empty mind, over planning and thought. The ideal is that your mind can be unblocked from maya (which means both illusion and play) and thus acquire a kind of resonance or instant reflection, or munen, which translates awkwardly as now/mind/heart.
This makes it alien to Western philosophical traditions, which tend to distrust spontaneity, since it supposedly clears the way for the dominance of brute animal instincts and dangerous passions. But the idea of walking around with a metaphorical big stick with which to whack yourself if you make a mistake, or get carried away by your emotions, is foreign to a Zen master.
Zen, after all, was used by the Samurai warriors, who had to strike immediately without reflection or die. Intuition, in a healthy soul, is more important than conscious reflection. Millions of years of evolution have made the human unconscious wise, not reckless. You can find similar ideas in modern books such as Blink by Malcolm Gladwell, which emphasises the value of gut reactions.
Zen started as a reaction against the highly conventionalised and ritualised Japanese society from which it emerged. This must have struck a chord with Watts, who grew up at a time when British society — hidebound, introverted and conventional — was not so different from the self-controlled, ‘uptight’ world of the Japanese. In such a society, spontaneous behaviour becomes impossible.
The word Zen is a Japanese way of pronouncing chan, which is the Chinese way of pronouncing the Indian Sanskrit dhyana or sunya, meaning emptiness or void. This is the basis of Zen itself — that all life and existence is based on a kind of dynamic emptiness (a view now supported by modern science, which sees phenomena at a subatomic level popping in and out of existence in a ‘quantum froth’).
In this view, there is no ‘stuff’, no difference between matter and energy. Look at anything closely enough — even a rock or a table — and you will see that it is an event, not a thing. Every ‘thing’ is, in truth, happening. This too, accords with modern scientific knowledge. Furthermore, there is not a ‘multiplicity of events’. There is just one event, with multiple aspects, unfolding. We are not just separate egos locked in bags of skin. We come out of the world, not into it. We are each expressions of the world, not strangers in a strange land, flukes of consciousness in a blind, stupid universe, as evolutionary science teaches us.
The emphasis on the present moment is perhaps Zen’s most distinctive characteristic. In our Western relationship with time, in which we compulsively pick over the past in order to learn lessons from it and then project into a hypothetical future in which those lessons can be applied, the present moment has been compressed to a tiny sliver on the clock face between a vast past and an infinite future. Zen, more than anything else, is about reclaiming and expanding the present moment.
It tries to have you understand, without arguing the point, that there is no purpose in getting anywhere if, when you get there, all you do is think about getting to some other future moment. Life exists in the present or nowhere at all, and if you cannot grasp that, you are simply living a fantasy.
For all Zen writers life is, as it was for Shakespeare, akin to a dream — transitory and insubstantial. There is no ‘rock of ages cleft for thee’. There is no security. Looking for security, Watts said, is like jumping off a cliff while holding on to a rock for safety — an absurd illusion. Everything passes and you must die. Don’t waste your time thinking otherwise. Neither Buddha nor his Zen followers had time for any notion of an afterlife. The doctrine of reincarnation can be more accurately thought about as a constant rebirth, of death throughout life, and the continual coming and going of universal energy, of which we are all part, before and after death.
Another challenge for Western thinkers when struggling with Zen is that, unlike Western religion and philosophy, it has no particular moral code. The Noble Truths are not moral teachings. Zen (unlike Mahayana Buddhism with its ‘Eightfold Path’) makes no judgment about good or bad, except to say that they are both necessary to make the universe dynamic.
Like the Greek philosopher Heraclitus said, there is no idea of ‘good’ out to destroy ‘evil’, or vice versa. Evil cannot be destroyed, any more than good can, because they are polar opposites of the same thing, like poles of a magnet. Destruction is as necessary as creation. Chaos must exist if we are to know what order is. Both aspects of reality, in tension with one another, are necessary to keep the whole game going: the unity of opposites.
This can lead to some fairly shocking moral reasoning. When the American composer and Zen follower John Cage was asked, ‘Don’t you think there’s too much suffering in the world?’, he answered, ‘I think there’s just the right amount.’ This encapsulates, and yet somewhat satirises the Zen world view — that the dark and the light, the negative and the positive, the yin and the yang, are all necessary parts of the overall whole.
Behind this thinking is the idea that, for the accomplished follower of Zen, moralists are dangerous because they will destroy everything in pursuit of their vision of ‘the good’. Straightforward greed might result in the destruction of the local village to get their wealth and their women — but that won’t be too bad because it will preserve the wealth and the women.
A ‘cutting-up’ attitude to life gives us dead knowledge, not live knowledge
However, if you are on a moral crusade, you will destroy everything in your wake. And who can deny that the history of the 20th century bears out this view, with Nazi and Communist ideologies causing such havoc? After all, Hitler was an idealist, too. So Confucius — who was not, admittedly, part of the Zen tradition, though he influenced it — puts the greatest value not on absolute good, but on ‘human-heartedness’, or jen. If you are human-hearted, you are unlikely to want to do any great ill, even without a great moral vision to guide you. And, even if you do, the damage you cause will be limited by your own self-interest.
This lack of a clear moral code is perhaps why Zen is not a philosophy wholly appropriate for the young or immature mind. In the 1950s, Watts critiqued the Beatnik appropriation of Zen in his book Beat Zen, Square Zen and Zen (1959). The apparent fatalism of Zen seemed to open the door for an individual to do ‘whatever they like’. Watts thought the Beats were childish, although he did suggest that their behaviour also revealed a clever paradox: that absolute fatalism implies absolute freedom. Again, you can look at it both ways.
In fact, Zen isn’t fatalistic. Rather, it accepts something that Western philosophy finds hard to grasp — that two contradictory truths are possible at the same time. It just depends on which way you look at it. The world is not a logically consistent one, but a profoundly paradoxical one. Again, this is illustrated in science, which shows that two things can be one at the same time — light, for instance, acts as both a particle and a wave. The Zen masters say the same thing about human life. Perhaps you are doing ‘it’. Perhaps ‘it’ is doing you. There is no way of knowing which is which. It is like a formal dance so deft that you cannot tell who is leading, and who is following.
While it is refreshing that Zen philosophy is supported in many ways by present scientific knowledge, it is also a critique of scientific thought. The scientific tradition requires things up to be cut up — both mentally and physically — into smaller and small pieces to investigate them. It suggests that the only kind of knowledge is empirical and that the rigid laws of scientific method are the only kind that are valid.
Zen implies that this is like throwing the baby out with the bathwater — scientific thinking might be immensely useful, but it also does violence to a meaningful conception of life. It tends to screen out the essential connectedness of things. We live in an imprecise world. Nature is extraordinarily vague. Science promotes the idea of hard, clear ‘brute facts’ — but some facts are soft. A ‘cutting-up’ attitude to life gives us dead knowledge, not live knowledge.
The fundamental nature of the world is not something you can get too precise about. The basis of one’s life and thought must always remain undefined. Some ideas — such as the Tao, the ‘way of things’ — come to us, we can’t just go out and get them. They are mysterious and unknown.
This kind of thinking is anathema to the modern scientist who thinks that everything can be known and finally will be known. But, Watts argued, it is impossible to appreciate the universe unless you know when to stop investigating. Truth is not to be found by picking everything to pieces like a spoilt child.
It is impossible, of course, to summarise Zen in a few thousand words. In fact it doesn’t ask to be summarised. The first principle of Zen, voiced by the philosopher Lao Tzu, is ‘Those who know don’t say, and those who say don’t know.’ Zen is not proselytising, quite the reverse. It asks you to come to it, in supplication, and to tease it out. Another Zen saying is, ‘He who seeks to persuade does not convince.’
But it convinced me. After spending nearly two years studying Zen, Taoism and the works of Alan Watts, I think I genuinely achieved a sort of satori — a freedom from the inner weights and contradictions of ordinary life. When a student asked Watts what enlightenment felt like, he said if felt very ordinary — but like walking slightly in the air, an inch above the ground. And that is exactly how I felt — every day.
I don’t know how long the experience lasted. Perhaps as long as a year, perhaps even longer. All that time, Watts and the Zen idea were there in my head, informing my thoughts and actions. The background noise, the static of worry and gabble that informed my old life had disappeared. My head was clear. The philosophy entirely permeated me. My life was truly more joyful than it had ever been. Nothing bothered me. I felt full of energy and optimism.
Then one day, I lost the vision. I don’t know how it happened. A period of stress and clinical depression took me under and, when I surfaced again, Watts and the Tao had left my thoughts. I was alone again, puzzled and conflicted. I knew the words, but I couldn’t hear the music anymore. The old thoughts and habits I had been conditioned into since birth reasserted themselves. Once more, I worried about things pointlessly, and got lost in the past and the future instead of existing in the dynamic present.
But then, I shouldn’t have been surprised. What Alan Watts taught, above all else, is that everything is transitory. Everything comes and goes. Watts himself did not exist in a perpetual state of spiritual bliss. He died an alcoholic. He had been a lifelong heavy drinker. His later life was not easy — in the last years, he cut a Dickensian figure, working desperately to support his seven children and, presumably, his two ex-wives (by the time he died he was on a third). But he was by no accounts an ‘unhappy’ drunk. He never expressed guilt or regret about his drinking and smoking, and never missed a lecture or a writing deadline.
If Watts’s own example is to be taken into account, being ‘enlightened’ doesn’t always make you happy. Yet it is still something worth attaining. It brings clarity and peace, even if it doesn’t protect you from all of life’s vicissitudes.
My personal ‘enlightenment’ came and went — but I hope it might return. Perhaps this article will be the first step in that direction. It feels like it is. It might be in my hands or it might not. But if I can find the path again, then I will stay on it — until I lose it. And, as the Zen saying instructs, if I see the Buddha, I will kill him. Because the moment you start thinking of yourself as ‘enlightened’, you are not.
Tim Lott is the author ofThe Scent of Dried Roses(Penguin Modern Classics) and Under the Same Stars (Simon and Schuster).




Friday, November 16, 2012

FUKUZAWA YUKICHI


File:FukuzawaYukichi.jpg

http://en.wikipedia.org/wiki/Fukuzawa_Yukichi


The following text was originally published in Prospects: the quarterly review of comparative education (UNESCO: International Bureau of Education), vol. XXIII, no. 3/4, 1993, p. 493–506.

©UNESCO: International Bureau of Education, 2000

This document may be reproduced free of charge as long as acknowledgement is made of the source.

FUKUZAWA YUKICHI

(1835–1901)
Nishikawa Shunsaku

In Japan, one can see a portrait of Fukuzawa Yukichi on every 10,000-yen note. This is official recognition of his dedication to the cause of introducing Western institutions and thought into Japan. Some people, however, may wonder why such a man wears traditional Japanese robes.
Although there are a number of pictures of Fukuzawa, only a few are in Western attire. It seems that this reflects his  basic stance: he always emphasized the spiritual revolution rather than the spurious imitation of things Western.
Fukuzawa first learned Dutch and later changed to English studies; he visited the United States twice and travelled through Europe for almost a year before the Meiji Restoration (1868).
On these journeys he was able to perceive the basic ‘stones and pillars’ of modern society developing in the West. There he also conceived his manifest destiny—education and journalism. Soon after his second voyage he began to set up his school, Keio-gijuku, which was to produce
many talented graduates in business, industry and politics.
Fukuzawa published numerous pamphlets and textbooks that were used in the emerging modern schools and were also welcomed by a variety of other types of reader. The great attraction of these writings was not only that the topics were new, but that the style was revolutionary in its
simplicity. The Japanese people were able to learn much about the forthcoming civilization from the so-called ‘Fukuzawa books’.
Fukuzawa also wrote many books and articles for scholars. These were mostly published by the university press or through the newspaper, Jiji-shimpo [Times], that he launched in 1882.
From that time on, Fukuzawa wrote numerous articles and satires on various contemporary issues, such as politics, international relations, economic and financial problems, educational policy, women’s rights and a moral code.
His main theme may be summarized in one word—‘independence’—since he believed that personal and national independence was the real foundation of modern society in the West. In order to achieve this self-independence, Fukuzawa advocated Western, or practical and scientific,
learning, instead of the traditional studies of the Chinese classics. The more educated the people became, the better their national independence could be asserted, with a corresponding increase in public virtue and social morality. Although Fukuzawa apparently learned much from Western thinkers, he was not blindly attached to Western civilization. He was well aware of its flaws, but realized that Western civilization was technologically superior to the Japanese situation, and he concluded that the
Japanese people could use it as a model. He seemed, however, to have anticipated the difficulties that arose in revolutionizing the minds of his countrymen.

Boyhood and student days

Fukuzawa was born in Osaka in 1835. This was a period that had been preceded by two centuries of isolation from the rest of the world and was to be followed nineteen years later by the opening up of Japan. The governing bodies of the Shogunate and the 260 domains which had held power for so long had not been able to adjust to the profound changes taking place in society. They were trying desperately to tackle the chronic suffering brought about by the budget deficit by means of
political and economic changes. Fukuzawa’s family lived in Osaka, at that time the trading centre of Japan. His father worked as a low-level treasury officer representing his home domain of Nakatsu (a province in the
northern part of the island of Kyushu). His class in society was that of samurai, but of low rank with a modest hereditary position. The job did not appeal to Fukuzawa’s father, but he remained loyally in service until his sudden death at the age of 44, barely eighteen months after the birth of
Fukuzawa. The widowed mother returned to Nakatsu to bring up her two sons and three daughters. Their allowance reduced them to poverty, and they were obliged to supplement their income with casual paid work in the home. Fukuzawa himself repaired sandals and did other odd jobs. There
was no money to send him to school until he was 14, ten years after the usual starting age. Elementary education at the time was divided between one type of school for male children of samurai, and another for children of commoners.

 Sons of samurai, aged 5–7, learned the
Chinese classics from either their father or some relative and masters of neo-Confucian learning,
who often ran private classes or schools. Secondary and/or higher education was provided either in
private schools or in the  domanial school. Since the mid-eighteenth century, most of the large
domains had inaugurated domanial schools. The domain of Nakatsu had it own school, but entry
was restricted, the rank of the student’s family being an important factor. The son of a low-ranking
samurai, even if he were the eldest, did not qualify for enrolment in the domanial school.
The learning available inside an isolated Japan was limited by government decree, but to
imagine Japan as totally cut off would be to oversimplify. Since the sixteenth century, Westerners
had visited Japan, but from the early 1640s had been barred entry. On the small man-made island of
Dejima, only Dutch traders were allowed to stay. This contact with the outside world was tightly
controlled by the Shogun and special permission was required for merchants, interpreters and the
military to go to Dejima. Nonetheless, Western knowledge, especially medical and natural science,
somehow filtered through the Shogun’s barriers and was diffused throughout the country. Eighty
years before Fukuzawa’s time, several Japanese physicians had pioneered the translation of the
Dutch version of J.A. Kulumus’ Tabulae anatomicae (Ontleedkundige tafelen).

 The commodity
of Western learning was in limited supply, strictly controlled and sometimes constituted a danger
for its students, but it existed nevertheless.
When Fukuzawa attended school he soon revealed his ability. While he excelled inside the
classroom, outside his low rank left him vulnerable. When playing with his upper-samurai
classmates, the lower-ranking Fukuzawa was the brunt of their arrogance. Class divisions were still
strict enough to prohibit marriages between the two groups. Even as a young man Fukuzawa was
aware of and deeply resented the inequality of the system.

The arrival of the United States fleet in the summer of 1853 sent a profound shock
throughout the country—to samurai and commoner alike. For Fukuzawa it meant that he was
asked by his brother (who had inherited his father’s position) to go to Nagasaki to learn Dutch in
order to master Western gunnery. The elder brother wished to give Fukuzawa a unique opportunity
and expected him to render a service to his lord in the future. Fukuzawa accepted his suggestion
with no real understanding of what Dutch was or what threat was represented from the outside—
he was, however, most anxious to leave his home town.
They left for Nagasaki one month before the Treaty of Peace and Amity between Japan and
the United States. Fukuzawa became a servant/student to the councillor of Nakatsu’s heir, who
was there for the same purpose. As he was hardly able to learn the alphabet there, he was
transferred to the ‘master’ of gunnery who really did not understand Dutch very well.
Although there was no vast progress in Dutch studies in Nagasaki, the councillor’s son was
jealous of Fukuzawa. He fabricated a story that Fukuzawa’s mother was ill in Nakatsu, showed him3
a falsified letter, and suggested that Fukuzawa return home. Fukuzawa discovered the falsehood
but decided to leave Nagasaki anyway. Having no money, he forged the signature of an official and
charged his expenses to the domanial warehouse in Osaka. Instead of heading for home, he went to
Edo (now Tokyo), 1,000 kilometers to the north, to continue his studies.
The boat trip across the Inland Sea took two weeks owing to the numerous stops. En
route, Fukuzawa disembarked and walked through the night to reach the Osaka domanial
warehouse where his brother, Sannosuke, was stationed. He persuaded Fukuzawa to stay and enrol
in a Dutch-language school at Tekijuku, which was run by a physician, Ogata Koan (1810-63). The
school did not teach medicine exclusively; rather Ogata was successful in distributing vaccines in
Japan and educating many young men like Fukuzawa who would later participate in the building of
the modern nation.

During Fukuzawa’s three-year stay at Tekijuku, both he and his older brother fell ill and
were sent back to Nakatsu to recover. But Sannosuke died and Fukuzawa succeeded him in
performing guard duty at the castle, since he had no experience as a treasurer to take over his
father’s old job. He begged his mother to let him return again to study at Tekijuku and
subsequently received official permission to do so.
In the next year, Fukuzawa became the top student at the school and his autobiography
recalls fond memories of his schooldays.

 It is worth mentioning that, with his colleagues, he
studied mainly physics, chemistry and physiology, and copied and translated a Dutch book on the
art of fort-building.
The move to the capital and the world
In the autumn of 1858, Fukuzawa was appointed teacher of Dutch to the vassals of the domain of
Nakatsu. The course was to be held in the second domanial house of Edo. This time Fukuzawa
travelled on foot to Edo with ‘real money’ and a servant. This ‘servant’ was actually his colleague
who wished to go to Edo and who later completed the translation of a statistical table giving figures
about all nations.

July 1859 marked the opening of three ports in Japan according to terms of the Treaty of
Amity and Commerce, signed in the previous year with the United States and some European
nations. Soon after the opening, Fukuzawa went to visit Kanagawa (now Yokohama) and was
disappointed to find that he could not read the signs or make himself understood. English was the
language of the port city. He then decided to learn English, but his progress was slow since he
could find neither a good teacher nor a good dictionary.
Within the terms of the Treaty the Shogunate decided to dispatch envoys to the United
States. Fukuzawa immediately volunteered his services to Admiral Kimura Yoshitake (1830–1901).
After thirty-seven days at sea on a voyage marked by consecutive storms, they reached San
Francisco in the spring of 1860. During his one-month stay, Fukuzawa’s most significant
acquisitions were a Webster’s dictionary and a photograph of himself with the photographer’s
daughter. This dictionary, recommended by the interpreter, John Manjiro,

 is deemed to have been
Fukuzawa’s intellectual weapon in understanding modern civilization.
After his return, Fukuzawa was employed in the foreign affairs office of the Shogunate
translating diplomatic documents. The next year he married Okin, the daughter of an upper-rank
samurai from his home domain. Once again, in 1867, Fukuzawa was able to go to the United
States. This time the mission visited Washington and New York to negotiate on the unsettled
purchase of a warship from the United States’ Government. Fukuzawa’s real aim was to acquire
textbooks for students who were forced to copy their texts by hand. He bought as many books as
possible within his budget.
Fukuzawa’s most important voyage was with the mission to Europe, whose assignment
was to negotiate the postponement of additional port openings and an adjustment of the exchange4
rate. It failed on both accounts, but travelled through France, the United Kingdom, the Netherlands,
Germany, Russia and Portugal. Fukuzawa, acting as translator, observed many new things and
institutions such as hospitals, arsenals, mines and schools. Based on what he saw and read in the
year-long tour, Fukuzawa published the first volume of  Seiyo jijo [‘Things western’, or ‘The
conditions of the west’],

 which described his immediate discoveries. It became a national
bestseller.
Fukuzawa realized that technical progress had contributed to the prosperity he had
witnessed in Europe. He began to believe that revolutionary changes in people’s knowledge and
thinking were a fundamental requirement for similar progress in Japan. While in London, he sent a
letter to his friend at home stating that the most urgent thing to do was to educate talented young
people rather than to purchase machinery and armaments. He decided to postpone the writing of
the second volume of  Seiyo jijo and instead translated J.H. Burton’s Political economy. In this
1867 book, to which he gave the title The outside volume, the ‘corner-stones and main pillars’, the
intangible social network constituting civilized society was discussed.

 It was indeed an
introduction to ‘the condition of the West’.
After his return to Japan, Fukuzawa began to set up his own school. The number of
students grew rapidly to 100 by 1867. His duties with the Shogunate were only six days a month,
so he was apparently able to use the other days for reading, writing and teaching. The popularity of
his accounts of Western life indicated an interest and tolerance of the outside world. Other groups,
however, wanted to expel the ‘barbarians’, together with any Japanese scholars interested in
Western studies. The fanatic  joi ronin (breakaway groups of samurai who wanted to expel
foreigners) were apt to murder those who represented Western ideals. People like Fukuzawa were
at risk. In fact, Omura (see footnote 5) was killed by them in 1869.
The encouragement of learning
Amid the sounds of gunfire from a battle only a few kilometers from Keio-gijuku

 Fukuzawa continued his lectures on political economy as usual.

 It was 4 July 1868 and the Restoration forces were challenging the tottering Tokugawa regime. Fukuzawa told his students, reduced from
100 to 18 on that day, ‘Whatever happens in the country, whatever warfare harasses our land, we will never relinquish our hold on Western learning. As long as this school of ours stands, Japan remains a civilized nation of the world’.

These words explain clearly what Fukuzawa had in mind—Western learning and education.
Soon after the defeat of the Tokugawa forces in Edo, the new authorities asked Fukuzawa to join
the government service. He declined the offer and never became a partisan of the new government,
which gave him much more freedom in judging and writing about the course of both parties. In the
years that followed, he devoted himself exclusively either to teaching at Keio or helping initiate
modern schools elsewhere. He also translated and/or wrote pamphlets about the West and
elementary textbooks on a surprisingly wide variety of subjects such as physics, geography, military
arts, the British Parliament and international relations.
Among his books,  Gakumon no susume [An encouragement of learning]

 is the most
celebrated. It was originally a series of essays written and published between 1872 and 1876. The
first essay, which was an enormous success, was the manifestation of Fukuzawa’s thesis to the
general public. The opening lines read: ‘It is said that heaven does not create one man above or
below another man. Any existing distinction between the wise and the stupid, between the rich and
the poor, comes down to a matter of education.’

What is important here is Fukuzawa’s concept of ‘education’—the ‘practical learning that
is closer to ordinary human needs’

 or, in a word, jitsugaku. In his opinion it consisted first of5
learning the forty-seven Japanese kana letters, methods of accounting and the abacus, the way to
use weights and measures, and then such subjects as geography, physics, history, economics and
ethics.
The subjects in the first group had been taught in the terakoya, which literally means ‘the
temple school’. Its connection with Buddhism had been gradually relinquished since the
seventeenth century, and in the next century it became a primary school for commoners’ children
and daughters of samurai, particularly those of low rank. The teachers were people such as poor
samurai, village headman or Shinto priests. Buddhist teachers were rather scarce in the eighteenth
century. The terakoya mushroomed in the first half of the nineteenth century. Fukuzawa was aware
of this, so apparently he put more stress on the subjects in the second group which could be taught
in a modern school.

 He felt that these areas had been well developed in the West but not in the
East.
He bitterly criticized the traditional Japanese school curriculum, emphasizing ancient texts
and the enjoyment and writing of poetry, as providing impractical pursuits. He argued that Western
education was necessary and urged boys and girls who had just learned  kana letters to consult
translated textbooks and, at a more advanced stage, to read a Western language. In his school he
relied on Western authors, and by 1890 had hired foreign teachers.
Fukuzawa felt that jitsugaku could contribute to personal independence, but that ‘freedom
and independence refer not only to the private self, but to the nation as well’.

 Fukuzawa also believed that these elements were a human right and concluded:
Each individual man and each individual country, according to the principles of natural reason, is free from bondage.
Consequently, if there is some threat that might infringe upon a country’s freedom, then that country should not
hesitate even to take up arms against all the countries of the world.

It can be understood from this why he even translated military manuals.
Fukuzawa’s style in ‘An Encouragement of Learning’ and in other textbooks and manuals
was completely new to Japan. In the past, books had been written in a Chinese script with
characters difficult for ordinary people to understand. The new style was colloquial and
comprehensible even for the less educated. In the face of the general opinion that the Japanese
language did not lend itself to oratory, he started public speaking and conducted open debates. He
was a prime exponent of the art of public speaking in the presence of skeptics and built a meeting
hall at Keio where he, his fellows and students held many gatherings and debating contests. This
small hall, the Enzetsukan, still stands on the campus at Mita.

The theory of civilization
In a letter to one of his friends, dated 23 February 1874, Fukuzawa wrote:
I don’t think I’ll take on any more translations. This year I’m going to read and work without worrying about the
hundreds of miscellaneous things. My health is getting better, and my knowledge will be exhausted unless I study
more. I shall spend about a year on my studies.

This was in anticipation of reading the references  and drafting his magnum opus, Bunmeiron no gairyaku [An outline of a theory of civilization], which appeared the following year.

Unlike the other works by Fukuzawa, which were mainly for public enlightenment, this
book was intended for Japanese intellectuals. At that time they were divided into several camps—
some were very enthusiastic about introducing an ideal Western model of civilization, while others
were reluctant about or even opposed to modern values and principles. Presumably, Fukuzawa6
wanted to clarify the argument and to persuade them to present a common front in favour of
modernity.
Fukuzawa was a prolific writer and able to produce an enormous quantity of work, but it
took an exceptional amount of time and toil to finish this book. The manuscripts, which are
preserved today, show that they were subject to revision again and again. The style was scholarly,
hence not easy to read, eloquent and presenting all points of view. Nonetheless, his main objective
is crystal clear: self-sufficiency and national independence. ‘Civilization’ was both the outcome and
the means to independence.
What then was ‘civilization’?
In its broad sense, civilization means not only comfort in daily necessities but also the refining of knowledge and the
cultivation of virtue so as to elevate human life to a higher  plane. [...] [Thus] it refers to the attainment of  both
material well-being and the elevation of the human spirit, [but] since what produces man’s well-being and refinement
is knowledge and virtue, civilization ultimately means the progress of man’s knowledge and virtue.

Fukuzawa took great care to explain the distinction between knowledge and virtue. He defined
virtue as morality, and knowledge as intelligence, and deliberately adds that in English they are
termed respectively ‘morals’ and ‘intellect’. These definitions were specified so as to avoid any
association with neo-Confucian concepts. Fukuzawa’s philosophy represents a break with
traditional thinking.
Traditional Japanese teaching appreciated both private virtue and benevolent rule as
imparted by the Chinese classics. In this case, the philosophy was concerned mainly with
governing—the man of virtue, usually the king or emperor, ruling benevolently over his people and
land due to his personal competence and virtue. The people, on the other hand, were uneducated
and depended on the ruler. Most Japanese scholars, in both official and private academies, taught
young people how to read, but they did not encourage any original thought or novel ideas. The
courses had nothing to do with political economy: such subjects were considered either ‘vulgar’ or
inappropriate for the young. Teaching in terakoya was assuredly practical, but not very scientific.
Knowledge gained there at best only contributed to personal intellect and profit.
Buddhism in Japan had lost its authority and function in the previous centuries. Buddhists
had become mere subjects of the political authority, namely the Tokugawa Shogunate. Thus, not
only neo-Confucian scholars and Buddhists but also commoners and samurai depended on their
hereditary positions. Most of them were indifferent to public matters. They were ruled, credulous
and blindly faithful to the ruler upon whom all the power was vested. Fukuzawa remarked that this
was the most outstandingly negative feature of Japanese civilization.
In Fukuzawa’s thinking, virtue and knowledge could each be divided into two parts, private
and public. He was convinced that man had an innate integrity and potential talent. While it was
quite possible to acquire knowledge in school, it was impossible to make a person use his private
virtue publicly. Looking at history, he saw that the ruled had their virtue bottled up inside them so
that it could rarely surface—at best, only within the family unit. Private knowledge, on the other
hand, could be diffused into society more easily and then transformed into public wisdom. People
had begun to recognize empirical laws and science, not only natural but also moral (or social)
science. ‘In Western civilization,’ Fukuzawa wrote, ‘the social fabric includes various theories that
have developed side by side, have drawn closer to one another, and finally united into one
civilization—in the process giving birth to freedom and independence.’

 While Japanese thinking had been concentrating on the impossible task of creating public virtue, the West had expanded
public wisdom, that is why he revered Western learning and criticized neo-Confucian teaching in his country.
In this regard, Japanese civilization apparently lagged behind the West. According to the theory of human development proceeding in stages, Japan (along with China) was placed in the semi-civilized stage.

 Although ‘advanced’ and ‘backward’ are relative terms, the distance between
East and West was assuredly great. It was impossible, in Fukuzawa’s thinking, to be able to catch
up with the leaders simply by purchasing modern arms, machinery and external structures, since
civilization meant the development of the inner spirit, namely the virtue and knowledge, of the
entire nation. Thus it follows that ‘Civilization [is] Our Goal’.

In the final chapter of ‘An outline of a theory of civilization’, Fukuzawa turns again to the
problem of ‘national independence’ which was a serious concern for all Japanese intellectuals.
Japan, he believed, was in reality only a small Far-eastern country at that time, and hence did not
require the support of great military power.

 He concludes:
Moreover, the argument for national polity, for Christianity, and for Confucianism[...]are also insufficient to bolster
people’s hearts.  What, then, will? I say there is one thing: namely, to establish our goal and advance toward
civilization[...]The way in which to preserve this independence cannot be sought anywhere except in civilization.
30
Hard years, 1877-81
The number of students at Keio-gijuku, which had climbed back to more than 300 between 1871
and 1876, again began to decline, in part because of the unsettled domestic scene. As most of the
students were samurai, a decision by the government in 1871 to abolish domains and reduce the
hereditary privileges and stipends of the lords and vassals also affected the amount of money that
could be spent on education. In five years, this process of confiscation was completed. The shizoku
(former samurai and their families) were given a compensating debenture, the amount of which was
modest compared with that given to the kazoku (aristocrats) and the higher-ranking shizoku. The
majority of shizoku—the medium and lower ranks—were not satisfied with the arrangement. Only
Fukuzawa was pleased to declare himself a commoner (heimin) and declined any compensation.
During this period, Fukuzawa’s students, most of whom were samurai, had been obliged to
leave the school because of their lost privileges, the war and worsening poverty due to inflation.
Those who came from Satsuma returned to join the rebellion there and were either killed or
wounded. In dire financial straits, Fukuzawa supplemented the school’s budget with his personal
income and also asked for loans from the government and private sources. No one, however, was
willing to lend the Keio-gijuku any money and some suggested that it should be dissolved. His
fellow teachers responded by voluntarily accepting a reduction of their salary by two-thirds.
Subsequently, the number of students gradually recovered from a low of 200 in 1878 to as many as
500 in 1881. Interestingly, the ratio of commoners enrolled grew from a third to more than a half
by 1875. Fukuzawa later conjectured that this was due to the post-war inflation that raised the
wealthy farmers’ income sufficiently to send their sons to Keio-gijuku.

As the government was heavily dependent on fixed land taxes for its revenue, it was also
suffering financial deficits. As a measure to reduce expenditure, it decided to sell government
factories and enterprises. When it was announced that these properties had been sold off at
incredibly low prices, civil rights leaders criticized the government severely. A rumour appeared in
the press that Fukuzawa, with the financial help of Iwasaki Yataro (1835–85) of the Mitsubishi
Corporation, was urging a coup d’état by Okuma. In a counter move, Ito Hirobumi (1841–1901)
purged Okuma from the cabinet. The real reason for this political drama was a struggle for control
over input on legislation for the future constitution. The man who was able to exercise this control
was expected to be the de facto prime-minister. Several Keio graduates who had worked under
Okuma had suggested a constitutional monarchy on the British model, while the Ito group
preferred the Prussian type. This group was responding to, and afraid of, Fukuzawa and the Keio
school, since Fukuzawa himself often expressed active support for Okuma’s policies.8
Criticisms and appreciation
After the political victory, Ito suspended the constitution and the opening of the Diet for ten years,
and cancelled the sale of government properties. Before their split, Ito, Okuma and other members
of the government had arranged with Fukuzawa to start a newspaper to help promote the early
opening of the Diet, but this too was shelved. Fukuzawa decided to proceed alone and launched
Jiji-shimpo on 1 March 1882. In the inauguration article, he declared that this quality newspaper
would remain impartial and independent.
From that time onward most of Fukuzawa’s writings appeared in  Jiji-shimpo, not only
serious articles but also satire. He addressed all contemporary issues—politics, domestic and
international issues, political economy, education and educational policy, the moral code,
particularly women’s rights, and so forth. These articles and parodies fill nearly half of the twentytwo volumes of his Collected Works.

In a broad overview of his works, it can be seen that Fukuzawa was proceeding in a
straight line towards individual and national independence. Yet, even in the 1870s, there was some
controversy over his discussions on moral issues concerning loyalty, money and so forth.

Moreover, serious criticisms and comments have recently been levelled at his articles from the
1880s and afterwards. Such criticism has raised serious doubts as to Fukuzawa’s real intentions or
his real personality. So strong has been the reaction against his articles about Asia that it has nearly
obscured the impact of his less controversial articles—for instance, the ones about women’s
equality—and placed Fukuzawa in the very category that he was supposed to be opposed to.
One such article, and perhaps the most disputed, is ‘Datsu-a-ron’ [On departure from
Asia], written in 1885. Fukuzawa states:
Our immediate policy, therefore, should be to lose no time in waiting for the enlightenment of our neighbouring
countries [Korea and China] in order to join them in developing Asia, but rather to depart from their ranks and cast
our lot with the civilized countries of the West […]We should deal with them exactly as the Westerners do.

Readers today react strongly to this passage. Yet such a statement can be more fully understood if
it is seen in its proper context. Fukuzawa’s seemingly aggressive stance reflects the changing
international relations in East Asia during those years. Moreover, Fukuzawa’s concern with Korea
had its own history.
Fukuzawa had been acquainted with the Korean reformists, Pak Yong-hyo and Kim Okkyun, since 1881. Kim had particularly close contacts with Fukuzawa

 as he came to Japan three
times between 1882 and 1884, receiving much advice and every assistance from Fukuzawa during
his stay (each one lasting several months). Fukuzawa recommended that talented young men
should be educated, that the people should be enlightened through a ‘newspaper’, and that Korean
sovereignty and independence from China should be emphasized.
Thus, in the first instance, Kim sent a group of young students to Keio-gijuku, to the
military academy and to other Japanese schools. Secondly, the newspaper, or more properly
speaking, a governmental bulletin, was published three times a month beginning in November 1883
through the efforts of Kakugoro Inoue (1859-1938), who was dispatched by Fukuzawa in
December 1882 and appointed project adviser by the king. The third objective, however, was
extremely difficult to achieve; following the 1882 anti-Japanese revolt by the Korean army, China
had declared her suzerainty and exercised a firm grip over the Korean court.
Fukuzawa’s expectation for Korean progress faded as Korean dependence upon China
grew. ‘Traditions’ were obviously the lifelong enemy of Fukuzawa; in such a hopeless situation, he
saw a parting of the ways—Japan choosing change, with Korea and China resisting it. A more
sympathetic view of Fukuzawa’s suggestion of turning away from Asia can be sustained with the
knowledge that, for several years, his efforts were directed at aiding enlightenment and reform in9
Korea. Fukuzawa’s articles on Korea after 1881 were numerous, but always emphasizing its
sovereignty and national independence. On the contrary, in ‘On departure from Asia’, he criticized
Chinese imperialism and decided not to give China any special consideration simply on the grounds
that it was a neighbouring country.
Fukuzawa’s concern for women is apparent in his main writings, now collected in
Fukuzawa Yukichi on japanese women.

 From today’s perspective his position on women’s rights
seems somewhat restrained. No one can deny that he was the only Meiji thinker who tirelessly argued for women’s equality. In addition to several earlier articles, he wrote much in the late 1880s on the subject.

 His focus was directed to where the biggest problem lay in Japan: women’s rights in the home, the growth of their independence there, and eliminating the subjection of women to men in society.
Fukuzawa criticized the customary ill conduct of men towards women, and condemned the remaining vestiges of polygamy. Both, he argued, were the most uncivilized customs of Japanese society. He claimed fundamental equality for women and equal ownership of the family property.
He wrote:

Therefore, to teach them [women] at least an outline of economics and law is the first requirement after giving them a
general education. Figuratively speaking, it will be like providing the women of civilized society with a pocket dagger
for self-protection.

Some recent comments concerning his arguments on women suggest that Fukuzawa held too narrow a view. For example, he never suggested public activism for women, he mainly encouraged middle-class women compared to those of the lower classes, he did not touch on the issue of women in the labour force (most of whom worked in wretched conditions) and, lastly, he did not condemn the prostitution of poor girls or their migration overseas, since he regarded it as preferable to starvation. Despite the limitations of Fukuzawa’s definition of equality of women, considering their position, his arguments were appreciated by women at the time, as is shown by the following letter passed anonymously by a lady to Mrs. Fukuzawa at the time of his funeral:
Every time I read Sensei’s articles on Japanese women in Jiji-shimpo, I feel grateful that he is our real friend. Indeed, it is our deep sorrow to lose Sensei now […] With my tears, I sincerely hope that Sensei’s desires shall permeate our country for ever.
To sum up, in his time Fukuzawa was a ‘teacher’ of not only boys and girls in schools but also of Japanese men and women, and this may still be considered the case today